If you have a largely completed documentary film and have questions about whether you have retained all copyright in your film and actually hold the rights to screen the film at festivals or for wider distribution, then Amy’s clearance counsel services may be right for you. As clearance counsel, Amy advises independent producers on what rights and clearances they need for their audiovisual projects to minimize their exposure to potential litigation.
Knowing what rights and clearances are needed in an audiovisual project is much more complicated than one might think. Although documentary filmmakers have more lee-way to incorporate third party materials into their films without permission than narrative filmmakers, they do not have free rein and must be prepared to defend the unlicensed use of someone else’s photo, music, brand, artwork, audio/video clips, etc. against potentially legitimate infringement claims.
Best practices for documentary filmmakers would therefore include creating a rights and clearance log in which all third party material that is incorporated in the project, including any incidentally captured material such as music playing on the radio in the background of an interview segment, is carefully logged and analyzed before the project is locked. Similarly, filmmakers are wise to have any personal releases, license agreements, crew deals, and other written agreements relating to the project reviewed prior to picture lock to ensure that the filmmaker has a clean chain of title and has complied with any contractual restrictions/obligations. After all, making changes to content or credits after mixing and mastering is almost always prohibitively expensive.
Amy’s minimum retainer for documentary clearance counsel is $2,000, which covers up to 10 hours of work. Additional time, if any, will be billed at Amy’s current hourly rate.
To most effectively help with obtaining errors + omissions (e+o) insurance, Amy will need to have access to the following:
- link to view cut of film (e.g., Vimeo link with password); this is particularly important when doing fair use analysis because it is necessary to see the context of the use to make a determination
- copies of personal and location releases, if any (if you used a form, just the form is fine)
- copies of crew agreements
copies of any licenses/releases for your use of third party materials (e.g., for photos, archival footage, newspaper clippings, etc.)
rights & clearances clip log for your film that has a list of third party materials (e.g., song, photo, video) with the time stamp and whether you have a written agreement/release in place; this will generally save me a lot of time (and, thus, legal fees). You can find a good sample rights and clearance log from Occidental College here.And, of course, if you are worried about particular elements of your film (e.g., interviewed someone who refused to sign a release), then I’m happy to look at specific parts.
*Note: If you are only looking for a fair use opinion letter (as opposed to listing Amy on your e+o application), then Amy can conduct a more limited review. The time needed is typically 3-5 hours, depending on the length of the film and the number of uncleared materials and sources that you have used.